#that's practically the only thing you CAN do with it; i suppose you can use it to get akechi's head out of his ass wrt not being unique

[covenofagatha]

A dance with death (and her wife) (Part 1)

@lanfear-is-my-darkmistress

You are a profiler for the FBI when you get called to help catch a serial killer in Westview. (Killing Eve/Hannibal AU)

Word count: 4200

Warnings: descriptions of violence, fear

The phone rings at 7:30 in the morning on your day off and you want to throw it against the wall. 

You had been sleeping – having a very good dream, actually – when the harsh ringtone roughly jolts you out of your slumber. 

“Hello?” you answer groggily, rubbing your face with your hand. If it’s a spam call, you think you might lose your mind. 

“Is this Agent Y/L/N?” A gruff voice asks and you shoot up out of bed into the sitting position. 

You clear your throat and try to sound professional. “Um, yes, this is she. Who am I speaking with?”

“This is Director Hayward,” the man says, and your eyes widen. The head of the FBI is calling you. “Have you heard of the town of Westview?” 

Your forehead wrinkles while you rack your brain for anything that sounds familiar. “No, sir, I don’t think so.” 

There’s muffled sounds from the other side of the phone and then you can hear Director Hayward clearly. “It’s a small town in New Jersey. Nothing special, nothing too out of the ordinary.” He pauses like you’re supposed to recognize it, but after a moment of silence he sighs and continues. “About seven months ago, we believe a pair of serial killers moved into town. Bodies started piling up, seemingly no rhyme or reason to who was killed, only that the victims were all female.” 

“Okay,” you say slowly, trying to wrap your head around all this. If it’s been going on for this long, why haven’t you heard about it? “Are we sure they’re connected if there’s no pattern of victim? Usually men have a type when they do this kind of thing; the women usually look like an ex-lover who broke their heart, or their mom.” 

You can practically hear him roll his eyes through the phone. “They were all killed the same way: poison to sedate them and then their hearts were carved out. And there was a purple azalea left in every single one of the victims’ chest cavities. So we’re pretty sure they’re connected.” Sarcasm drips copiously from his tone and you wince. Way to make a good first impression on the director of the FBI. “And it’s not a man. It’s a woman.” 

This makes you perk up with interest. “Oh?” As a profiler for a branch of the FBI in Miami, you’ve handled your fair share of serial killers. It may make you sound insensitive, but you were only really interested in the female ones. Men were so boring and predictable. Women knew how to make it a challenge, and there was always some deep, underlying motive for why they did it. There was nothing you enjoyed more than piecing together that puzzle. 

“They’re calling her The Witch. The poison used on the victims is like nothing we’ve ever seen before, so we think she must be making it herself. But since female serial killers are kind of your thing–” 

You cut him off before you can think twice, thoughts whirling through your head. “How do you know it’s a woman? Cutting out a heart, that takes a lot of strength. Most female serial killers tend to use gentler methods, like poison, so it makes sense that there’s at least one woman involved. Are you sure she isn’t working with someone though? Lavinia Fisher would poison her victims and then her husband would finish the job.” 

“How quickly can you get to Westview?” He asks, completely ignoring your question. 

“Oh, you want me to go there?” 

He scoffs. “Yes, Agent, we want you to go there. I’ve already informed your boss and he’s given his approval. No one has been better at catching the female killers than you, so we really need you on this. You can take the Miami jet as soon as you’re ready, but they want you there as soon as possible.” 

“Will I be working with the Trenton branch?” 

“Just the Westview PD for now. They’ve assured us that they have their best detectives on the case. But if you need backup, let us know and we can send in some more profilers. Whatever it takes to bring this woman to justice.” He hangs up without another word and you grab your to-go suitcase that you keep packed for times like these. You throw in a few extra sets of clothes just in case it takes longer than expected, and then you’re out the door, driving to Headquarters. 

You walk into your boss’s office and knock on the door. The director of the Miami branch, Tony Stark, looks up at you. “Hope you packed some warm clothes,” he says and you chuckle. You definitely did not.

“Hayward said I could take the jet?”

Tony nods. “It’s out back and already fueled up. Good luck, kid. Be careful, okay?” 

You scoff. “Careful? I’m always careful.” He fixes you with a stern look and you acquiesce. “I promise.” 

“I don’t need to remind you what happened last time you worked on a case like this, do I?” 

It hits you like a punch to the gut and you shake your head. “No, sir, you do not.” But you know he’s going to tell you anyway. 

“That woman destroyed you,” he hisses. “You got so focused on finding her that you stopped eating and sleeping. The obsession completely consumed you.” 

“I caught her, didn’t I?” You mutter, knowing full well that isn’t his point. He slams his hands down on his desk and you jump. 

“She almost killed you,” he almost yells and your face twists at the memory. 

The Scarlet Killer terrorized Miami about three years ago before you finally brought her down. At first, she would sneak into houses of families with twins and slit the parents’ throats and kidnap the kids, but the twins would always resist so she would end up killing them too. 

After a while, she stopped caring about the twin aspect and started killing anyone with children. 

You had spent days in the office, pacing and pouring over the evidence board, trying to make sense of it. There was no DNA anywhere, but there was also no sign of forced entry, so you figured that she was invited into the house somehow. The hunt for children made you think she had lost her own, or had some sort of abusive childhood that made her want to protect kids. She was possibly a twin as well, and very amicable if people were having her over willingly. 

It took two months before you figured out the perimeter of her murders. She was making a hexagon shape with the houses of the victims. Hexagons can represent balance, so you figured she felt as if she was balancing out some score with the universe for something that had happened to her. 

And then one fateful night, you realized where her next target was. A family had just moved into a house perfectly on the border of the hex, as people around the office started calling it, and they had twins. 

You spent almost an entire week camped out in front of their house waiting for the Scarlet Killer to strike. You think during that time, you slept a total of ten hours. Hallucinations plagued you and you would doze off and then wake up babbling something about catching her. Agents would bring food by your car and beg you to take a break, but you kept your eyes strained on the house, determined that you wouldn’t let her get away with it again, determined to prove that you were right about where she’d be.

And you were. 

Except the knocking that should’ve been on the front door of the house, the knocking that would inevitably lead to more death, was on your car window. 

You had jolted awake to find a redheaded woman standing there, looking worried. You opened the door and got out to help her when she had pulled a knife out and stabbed you in the stomach. 

Thank god she didn’t go for her usual M.O. of slitting throats. 

You were able to weakly unholster your gun and take a shot at her as she was running away and by the yelp, you knew you had hit her. A consolation prize as your vision faded to black. 

Somehow, you woke up two days later in a hospital room, Director Tony Stark by your bedside. They had caught the killer a block away thanks to the appendix your bullet had ruptured that rendered her unconscious, a woman named Wanda Maximoff, who had lost her twins in a horrible house fire, and made it a mission to try and replace them.

And her knife had missed anything important, and all you had was a nasty scar and the weariness from everyone else whenever there was a new female serial killer to catch. 

“She didn’t kill me though,” you tell Tony, who rolls his eyes. “I’ll be careful. I won’t get too involved this time.”

He slides open a drawer and takes out a file and a business card that he holds out to you. You reach across the desk to grab the two and you scan the card. 

Rio Vidal, Therapist, Westview. With an email and phone number. 

You hold it up and raise an eyebrow. “You want me to see a shrink?” You already completed your mandated fifteen hours of therapy after the Maximoff incident and you weren’t eager to go back. 

“You don’t have to, it’s just so you have an option. In case you feel yourself becoming too ‘involved.’” 

You purse your lips but you slip it into your pocket and tighten your grip on the file. “Guess I’ll see you whenever we catch her.” 

He salutes you and you make your way to the jet out back. 

It’s a three hour flight and you spend your entire time pouring over the case file. You know there’s still some information that you’ll have to get from the Westview PD, like witness statements and exclusive photos that haven’t been released yet, but what you do have is brutal. 

Photos of shriveled up bodies with barely any skin still on their bones, their cheeks hollowed out, like something sucked the life out of them. Not to be sexist, but you can tell why Director Hayward thought it was a woman. 

Although there’s a gaping hole in their chests where a heart used to be, the cuts are neat, precise. And the blood has been completely cleaned up. What should be the bloodiest crime scene you’ve ever seen is void of any fluid, like the killer methodically mopped and bleached and cleansed the scene of everything. But this also means that the victims are dead before the heart is cut out, from the poison. 

The most chilling thing is the singular, perfect flower placed in the cavity of their chest.

You flip through the toxicology reports but can’t really make sense of anything. One report says one chemical was the cause of death, another report says another. The levels of chemicals in the bloodstream are also different from victim to victim. 

It reminds you of Jolly Jane Toppan, who would experiment with different medicines and chemicals to murder patients at hospitals. 

Is the killer a nurse? A chemist? You’re able to figure out why she’s called The Witch, because it’s like she’s brewing up potions of sorts, but you have no idea why she would bother cutting their hearts out if she’s killing them with poison. 

The precision of the blade also means that her hands are steady. Another reason she could be a nurse. 

You flip through the pictures of all the victims – eleven, so far – and the first victim’s cut is just as accurate as the last victim. This woman is either a natural, or this isn’t the first time she’s killed. 

Pulling out your computer, you search the database for any serial killer cases that match this same type of crime, male or female. You’re still not entirely convinced she’s working alone. 

But there’s nothing. No cold cases, no open cases. She has truly shown up out of nowhere. 

You tap your fingers to the tray table, your mind trying to make sense of the details for the rest of the flight. 

When the plane lands, you’re ushered into an uber and taken to the motel where you’ll be staying. Your rental car is already in the parking lot. Even though Westview is a small town, it means a lot that they’re giving you all these accommodations. 

Your room is complete with a kitchenette, a queen sized bed, and a good sized bathroom. You drop the files on the table, throw your suitcase in the bedroom, and grab your work bag before locking the door behind you. 

The rental car is a small sedan that has a strange smell, but it does the job and you drive through the quaint twisting roads to get to the police station. You park up front, take a deep breath, and walk in. 

No one stops you or asks what you’re doing here (no wonder this case hasn’t been solved yet) so you make your way to the back where you find the Chief’s office. 

He’s a skinny man with a mustache, spots of something that looks like mustard on his shirt, talking to a woman with her back to you. All you can tell is that she has long, dark hair that flows down your back.

“Hi, excuse me?” You say, knocking on the glass door. The Chief stops and the woman turns around to face you and you’re momentarily struck by how attractive she is. “I’m Agent Y/N? The, uh, criminal profiler from Miami? The FBI sent me to help with The Witch case.” 

“Oh, shoot, that’s right,” the man says, wiping his hands on his jacket before standing up. “Chief Phil Jones. This is Detective Agatha Harkness–” He motions to the woman standing there who smiles knowingly, raking her eyes up and down your body. “– our best. She’s been working this case day and night.” 

“Any leads so far?” You ask her. 

“Why don’t I show you what we have so far?” She offers and you nod, following her out of the office and trying not to look at her ass. She takes you into  a different room with a bulletin board filled with pictures and string and post-it notes. You squint at it, trying to take everything in, while you hear more people enter the room behind you. 

“So, Miami, what do you think?” A man taunts and a few others snicker at him. You ignore him, you’ve been used to this your entire career. 

You’re still scanning the board when something catches your eye. The witness statements. They don’t corroborate with each other. From the six people that have seen something, they all agree that the killer had dark hair. But some say it was long, others say just past her shoulders. Some think she was taller and lean, others say shorter and just a little more filled out. There’s a detail from two witnesses that gives you pause though: they say the woman had a mask of sorts on the bottom of her face, almost like a skeleton. The other witnesses make no mention of not being able to see the killer’s entire face. 

You tap the papers. “Why don’t the statements line up?” 

“Surely you know how unreliable eyewitness testimony is,” Agatha drawls, and when you turn around, she’s watching you carefully. 

You frown. “I do know, but it seems like there’s two different people here. So either we have a copycat, which would be unlikely due to there being no change in the level of detailedness from murder to murder, or–” You trail off, chewing on your lip. You’re waiting for someone, Agatha maybe, to finish the sentence, or to tell you you’re being crazy. 

“Or?” She prompts like she’s daring you to go on. There’s a look in her eyes, a look you don’t quite recognize. 

You give the men in the room a glance. Will they laugh? “I really think we’re dealing with two killers here. Working together. One poisons the victims, the other cuts out the heart. I thought it was a man and a woman, but it seems like two women. They’re obviously very close to each other, and they’ve got it down to an easy routine.” 

“Why hasn’t anyone seen two women then?” Agatha asks, but you feel like she’s just guiding you to a realization, rather than criticizing your theory. 

You hum, tossing the question around in your head. “Maybe…maybe because they want us to think there’s only one killer? They’ve fooled everyone, even the FBI. Easy to chalk it up to faulty witness statements.” 

“Why wouldn’t they try to look alike then?” Agatha presses, and your brow furrows. It’s a good point. 

The pictures of the mutilated victims on the board stare back at you while you look for anything you could’ve missed. “Are they toying with us? Do they want us confused? The poison, the cut-out heart, the flower left behind, the different descriptions, it’s like this is a game to them. They’re cocky, they feel confident that they can’t get caught. Maybe both of them are narcissists, but definitely are on the Antisocial Personality Disorder spectrum.” 

“Why do you think they do it?” Agatha says in a hushed voice. You can’t help but notice that she seems excited. 

Is that because she finally might be getting a break in her case? 

“I don’t know,” you admit and she looks disappointed. You spin to face the board again. “There’s no obvious connection or pattern between the victims, so it doesn’t seem like there’s a personal vendetta against them. Nothing stands out about the locations either. It seems like they’re just killing for fun, right now.” 

“That’s pretty dangerous,” she says, and you can feel the front of her body brush against your back. You’ve been so entranced that you didn’t even hear her notice her coming over. “That means anyone could be next.” 

Goosebumps spread over your body at her hot breath on your neck, but her words sober you up. She’s right. You’re not able to rule out potential victims based on how many kids they have or don’t have, like with Wanda, or what they look like or don’t look like. 

“Okay,” you say, nodding your head. “We need to send out a BOLO for two women with dark hair now. Put these descriptions out, tell them to keep an eye out for a skeleton mask? Hopefully we can get some tips and put a stop to this before anyone else gets hurt.” 

“What should we call the other woman?” One of the male officers speaks up and you’re surprised that it’s an actual question. 

Agatha watches you with interest while you think about it. “How about…Lady Death?” You offer and she gives a nod of approval. “Put a BOLO out for Lady Death and The Witch.” 

You make copies of everything that’s on the board and paper clip them together to put in your bag. As you’re packing everything up to go back and leave to the motel (Tony would be proud of you for leaving the station at an acceptable time), Agatha comes over and leans on the table. 

“What do you think their relationship is? Lady Death and The Witch,” she says, amusement lacing her tone when she says their nicknames. 

You shrug. “Sisters, friends, wives? Maybe they’re just two crazy people who met each other and want to kill people.” She chuckles and studies you curiously. 

“You know, we’ve had some other profilers come in, but none of them have been like you. You know your stuff.” 

“Female serial killers are kind of my thing,” you say. “There’s just something about untangling the mystery that’s so much sweeter. Makes me feel…alive. Which I know sounds bad, because so many people have died, and I’m sorry.” 

Agatha looks like she knows exactly what you’re talking about. “No, don’t apologize. It’s exciting, isn’t it? The exhilaration, the moment when you finally get what you want, what you’ve been working toward.” Her voice is low and you nod, leaning in before you can realize what you’re doing. Your gaze drops down to her smirk and then back to her blown-out pupils. “Do you think you’ll be able to find them?” 

“Yeah, I do,” you breathe, and she looks positively delighted. Out of nowhere, the scar on your stomach stings and you grimace. Agatha looks at you, concerned but you brush it off. “I guess I’ll see you tomorrow then?” You ask, standing up and slinging your bag onto your shoulder. 

“See you then, superstar,” she says with a grin and watches you leave. 

When you get back to the motel, you spread all the pictures and notes out, trying to connect some dots. You scribble down Friends? Sisters? Lovers? on a sticky note and press it to the wall. 

Why do you think they do it? Agatha’s question still haunts you. You don’t want to believe that it’s just for fun, there has to be some meaning, some motive for poisoning and then physically removing hearts. There has to be some significance to the flower left behind. 

But what is it? 

Your stomach grumbles so you decide to take a step back and go pick up food from a restaurant in town. As you’re pulling out of the parking lot to come back to the motel with wings and french fries, you get a call from Tony Stark. You accept it, taking a sip from your cup quickly. 

“Hey, Director,” you say. 

“There she is! How’s it going?” 

You shrug even though he can’t see you. “Not too bad. Just went and got dinner. See, I’m taking care of myself.” 

He laughs like it’s the funniest joke he’s heard. “Glad to hear it. Any new leads in the case?” 

“There’s two women, not one. They’re working together.” There’s silence on his end of the line for a second and you wonder if he heard you. “Did you–?

“Yeah, I got that. Shit, so you think you’re looking for partners? I don’t like this,” he says. 

“I’m okay, I promise. What happened with Wanda won’t happen this time,” you reassure him as you turn back into the motel lot. “I’ll check in with you whenever you want. I’ll go see that shrink. I’ll be careful.” You’re worried that he’ll pull you off the case if he thinks you’re too obsessed. Your hyperfixation tendencies almost cost you your life, and you know Tony doesn’t want that to happen to you again. He’s become somewhat of a father figure to you since you started working there, and it’s touching how much he cares.

He hums in satisfaction. “I expect you to eat three meals a day and get at least five hours of sleep.” Before you can protest, he continues. “And I want you to make an appointment with that therapist. Just get ahead of your spiral, maybe talking about the case with someone removed will help you be more level-headed.” 

“I will,” you vow. “Okay, just got back to the motel, I’ll talk to you later.” He says goodbye and hangs up. When you get out of the car with your food, the hair on the back of your neck stands up and your scar tingles. 

Something feels off. 

You get to your door to find it slightly ajar and you frown. You remember locking it. Maybe room service cleans at night? 

“Hello?” You call, pushing it open. Taking a few cautious steps into the room, you scan from wall to wall looking for anything or anyone.

There’s no one there, nothing seems out of place except for your suitcase that is now on your bed. You tentatively walk over to it and unzip it, jumping back like you’re expecting something to pop out. Inside, you find all the clothes you packed gone, and entirely replaced by a new wardrobe. Pulling them out, you gasp when you find cashmere sweaters and silky blouses and comfortable but professional looking pants. There’s a bottle of perfume with the word “Thanatos” printed in perfect calligraphy and you take a whiff. It smells like flowers and wood at the same time and it makes you think of a forest. 

So someone broke into your motel room just to give you some new clothes and perfume? You rustle through the rest of the suitcase and a piece of paper flutters to the floor. 

Heart pounding, you lean down to pick it up. It’s the same sticky note that you put on your wall before you left to get food. 

Friends? Sisters? Lovers? 

Only now, the word ‘lovers’ is circled, with a small heart drawn. You drop the paper like you’ve been burned and run over to where all your case information is and you feel nauseous. 

Nothing has been touched. Nothing is out of place. 

Except for the single purple azalea resting on the middle of the table. 

They were here. 

[allronix]

In any other universe, I say "This side conscripts children and trains them with deadly weapons. They forbid these children from ever seeing or hearing from their families once recruited in infancy because the organization is their family now. And to defend the government they serve, they allowed themselves to become the overseers and commanders of an army of slave soldiers to suppress internal dissent," we would look at that and think these were the guys we were trying to fight against.

So weirdly, we have the Jedi set up to be these ultimate heroes and good guys, yet they are just soaked in the tropes and trappings that would mark them as the bad side in any other piece of work depicting a dystopia.

The whole Jedi recruiting is Dystopia 101. You want to establish that this is a bad place to live? Establish that the people in charge recruit kids and take them away from their parents. Even as recently as the HP Fantastic Beasts films, Newt's introduction to America's Wizarding World being a dystopian system was when Tina and Queenie pointed out that American mage children born to "No-Maj" (muggles) were taken from their birth families and their muggle relatives and friends mind raped into forgetting them. (One wonders if the Jedi would use this and bullshit some reason about sparing those left behind the pain of loss...). You also get the Babylon Five Psi Corps or the Dragon Age mage towers. Hell, even in Disney canon, one of the things that establishes the First Order as grade A dirtbags is Finn telling his new comrades that he was recruited as an infant.

So...um...why in the HELL are we supposed to see this Jedi practice as happy, fluffy, adoption?! Or at the very least take the whole "Oh, but this is all willing! It is a great honor for the family to sacrifice their child!" without a 55-gallon drum of suspicion? In real life, children were recruited from peasant families or other disfavored populations to serve as concubines (if female), soldiers (if male), servant/slave labor, or human sacrifice. It was a way for the elites to tell these disfavored populations that they could do whatever the hell they wanted, especially destroy any future or hope for the future. And the only thing these disfavored people could console themselves with is the elite's excuse that having their child "chosen" in this way was an honor.

Another dystopia trope is the whole Word of Lucas that Jedi can have casual sexual relations but not emotional attachment. Well, that was a common thing in sci-fi dystopias. Logan's Run with the glasshouses where people hooked up with strangers and watched each other get it on. Brave New World with the Orgy Porgy. That sort of thing. And it was a thing in real life for people conscripted to military or religious service to not be able to marry but they were fine with...er...more transactional forms of sex. The elite of the Catholic church are what gave us the courtesan, prostitutes trained to be elite and educated companions to the Papal court. Buddhist monks of Edo Japan having ritualized pederasty with the acolytes. Both regulated brothels, and I'm pretty sure it wasn't just because they were doing the health inspections. We know sex work, sex slavery, and that sort of thing is all over the GFFA and given a wide tolerance. We also know that Jedi do espionage type missions and that honey pot espionage is never going away. We also have the sticky bit that Force Sensitivity has a strong (though not guaranteed) genetic component. So there may be a few unpleasant reasons for this dystopian edict as well. Only made more salient by the nasty misogynistic treatment if a female/carrying Jedi gets pregnant.

The last dystopia trope is the removal from the natural world. Much emphasis is put on the natural aspects of the "good" guys versus the cold tech of the "evil" guys. Or if we have a world where everyone lives in cyberpunk hellscape, only the rich and powerful (usually the bad guys) get to see an actual tree. Okay, the alleged "good" guys are sitting in the middle of a cyberpunk hellscape world. And like the rich elite, they have actual real trees in a place where most citizens will never touch real soil! At least with Legends, you got Jedi enclaves and outposts in really nice locations surrounded by nature and life; Tython, Dantooine, Ossus. Tenoo if you want to throw a Disney example in there.

The average muggle citizen of Star Wars lives in horrible poverty. To the point where a one-room apartment in a slum building on the SURFACE of Coruscant is considered luxury. Many more live in subsistence farming like medieval peasants. Others under the thumb of corporate rule because companies like Czerka own entire planets.

Granted, it's better than various incarnations of the Empire because it's not just open slavery led by ax-crazy theocratic whack-jobs too busy backstabbing and power jockeying to get anything done but warfare. But...well...being better than Sith is textbook faint praise.

Dystopian themes in the Prequels

“Looking back is helpful in understanding his work. Lucas started out in the 1960’s as an experimental filmmaker heavily influenced by the avant-garde films of the San Francisco art scene. Initially interested in painting, he became an editor and visualist who made abstract tone poems. His first feature, THX 1138 (1971) was an experimental science fiction film that presented a surreal, underground world where a dictatorial state controls a docile population using drugs. Love and sex are outlawed, procreation is controlled through machines, and human beings shuffle meaninglessly around the system.”

—Anthony Parisi, 'Revisiting the Star Wars Prequels'

The bolded parts in this description correspond with the Coruscant Underworld, the Jedi Order’s code, and the creation of the clone troopers, respectively.

Notably, in THX 1138's setting, emotions such as love and the concept of family are taboo:

I’ve always found it so interesting that Lucas incorporated the dystopian elements of his earlier sci-fi into the Prequels, taking place as they do in the context of the final years of the Repubic, with all its colourful and sumptuous visual spendour. In comparison, the post-apocalyptic ‘Dark Times’ of the Original Trilogy would seem on the surface to be the more outwardly ‘dystopian’ setting of the two—however, the actual story of the OT is a mythic hero's journey and fairytale, complete with an uplifting and transcendent happy ending. The OT's setting may be drained of colour, and its characters may be living under the shadow of the Empire, but as a story it is far from bleak or dystopian in tone. Rather, fascinatingly, it is the pre-apocalyptic era of the Prequels that is presented as the more dystopian storyline:

“On the surface, [The Phantom Menace] is an optimistic, colorful fantasy of a couple of swashbuckling samurai rescuing a child Queen and meeting a gifted slave boy who can help save the galaxy from the slimy Trade Federation and its Sith leaders. But beneath that cheerful facade is a sweatshop of horrors.” —Michael O'Connor, 'Moral Ambiguity: Beyond Good and Evil in the Prequels'

This is referring to the state of the galaxy during the Prequels era, including the fact that slavery is known to exist, but is largely ignored by the Republic and the Jedi alike due to being too economically inconvenient to combat. It also refers to how the Jedi of the Old Order come across as cold and distant atop their ivory tower on the artificial world of Coruscant, far removed not only from the natural world but also from the true realities of the people they claim to serve. And then there is the additional revelation in Attack of the Clones that love and family are 'outlawed' within the Jedi Order, creating an environment in which their own 'Chosen One' is unable to flourish, leaving him vulnerable to the Dark Side. Finally, there's the fact that the characters end up so distracted by fighting a civil war (something that goes against their own principles and involves the use of a slave clone army in the process), that they are blinded to the entity of pure evil that is guiding their every move...until it is too late.

“Without a clear enemy, the Jedi Order, the Galactic Senate, the whole of the Star Wars galaxy bickers and backstabs and slides around the moral scales. But there is one benefit to Palpatine’s pure evil crashing down upon the galaxy; against its oppressive darkness, only the purest light can shine through.” —Michael O'Connor, 'Moral Ambiguity: Beyond Good and Evil in the Prequels'

If anything, the Dark Times allows for the OT generation's acts of courage and heroism to flourish and succeed, because they are not hampered by the Old Jedi Order's restrictive rules, nor by its servitude to the whims of an increasingly corrupt Republic—so corrupt, in fact, that by the time of RotS, it is practically the Empire in all but name. Indeed, one of the key features of the Prequels, and what makes them so tragic, is that the characters are already living in a dystopia...they just don't know it.

There is, paradoxically, a level of freedom to be found in the midst of the Dark Times which had not been possible during the Twilight era, which allows Original Trio to rise above the tragedy that befell their predecessors. They are able to act as free agents (not as slaves of a corrupt government), serving only the fight for the liberation of all the peoples of the galaxy (not just citizens of the Republic), and are likewise free to live (and love!) on their own terms. Free to act on their positive attachments to one another, without having to hide the truth of their feelings. It's particularly telling that *this* is, above all, what makes the Prequels era so dystopian—the characters' inability to freely and openly participate in normal familial human relationships.

[poisonf0rest]

did someone say zayne with a praise kink? aka another sneak peak into overcumming writer's block ch 3

You're so used to having Zayne above you, between your legs, teasing you senseless as his fingers or tongue bring you to the edge over and over again.

And now, here he is. Spread out, and all yours to ravage.

The realization alone has you throbbing, prior orgasm all but forgotten as you feel the want burn between your thighs again.

God, if only he could see how wet you were already.

How could he not, with the way your hips were rocking against his still-clothed thigh, searching for the friction he wouldn’t give?

And yet, despite your impatience, your eyes never leave Zayne, watching the way his muscles flex as he resists the urge to move, ever obedient for you.

"Good boy," you purr, meaning only to tease him further, but instead of the faux glare or snarky comment you were expecting, you instead watch Zayne tense beneath you, his cock jumping against your palm. Your eyebrows raise, a breathless giggle betraying your intentions as you lean in closer to Zayne, hand still stroking painfully slow. 

"Oh? Do you like that, baby? Being told just how perfect you are for me?”

You're not sure what's more arousing, the fact that Zayne is practically coming undone at your words, or the fact that he hasn't denied a thing.

God, his body feels hot. The mere praise has a gorgeous pink blush racing down his chest, bottom lip tucked between his teeth as he looks down between the two of you, to where you’re still teasing the weeping slit of his dick. 

And so he just lets go. 

Zayne shudders, his hand reaching out to grasp your wrist, and for a moment you think he's going to put a stop to your power trip. But his hand only comes up to guide yours, urging you to pump his cock a bit faster, stoping to put more pressure against the base, and you can't help but smirk knowing he must be truly desperate if he's already rushing you to jerk him off properly. 

"My, my, doctor. I suppose I’m not the only one who’s been holding back.” You click your tongue, a teasing edge to your voice. "Were you really so desperate to feel me around your cock, hmm?"

Hazel eyes narrow at the pure filth behind your words, but you see the furrow between his brows, the way Zayne’s throat bobs as he throws his head back with a choked groan. “You truly are horrible.” He hesitates, hands clenching against the sheets before they fly up to your waist, gently bucking his hips into your awaiting palm. “Ah- please.”

You hum, lazily sinking to your stomach so your bare chest presses against his still-clothed thighs. With each stroke you can feel his muscles twitch beneath you, the way his jaw clenches and unclenches, the way his hand guides yours, tightening and loosening, urging you to go faster, harder.

Your mouth waters, and the urge to taste him is far too tempting to resist. 

Plus, you’ve had enough with denying yourself, and more than enough of Zayne denying himself as well. 

So right as Zayne’s head rolls back against the pillows you rock forward, licking a slow stripe up his dick, between the gap of your fingers where they grip his base, moaning against him at the taste.

Zayne hisses, hand immediately tangling in your hair, his grip tighter than before, rough enough that it has you wrenched away with a breathless whine. 

"Ah, ah, pretty boy, let me take care of you, yeah?" You fight to come back to him, smiling as Zayne’s grip immediately loosened, and you kiss his tip in thanks. Rubbing teasing circles into his thighs, your thumbs then move up, tracing his v-line, addicted to the way his muscles tense under your nails and to the red lines that follow. 

“Look at how- fuck- howexcited you are for me. Sopretty.” You lean forward, pressing wet, messy kisses just below his navel and all around his already sticky thighs, heady and coated in leaking pre-cum. "I'm going to make this so, so good for you, baby.” Another bite, and you drag you nails down his thigh as you watch his eyes roll back in time.

Zayne all but sobs at that. Every carefully restrained grunt and huff breaking completely at the praise, a low moan grinding through his teeth as if still being help back. Not that you’d let him. Not anymore.

“Mhm that’s it, you’re doing so well,” you say, smiling at the way his cock twitches, violently leaking. “So pretty, so perfect just for me.”

With one last kiss on Zayne’s neck, your hands steadies itself against his abdomen before you kiss the tip of his cock, and then greedily suck the head of his cock into your mouth. 

Zayne tenses, a choked noise ripping from his throat, and the sound sends a thrill down your spine. You press further, tongue flattening along the underside of his shaft, and fuck he’s so thick you nearly choke, forgetting to breathe in through your nose as the lack of oxygen gets to you embarrassingly fast. 

Fuck, if only you had some more time to properly adjust, you'd force him in your throat without a doubt.

But you’re already edging yourself with every slow grind of your clit against Zayne’s thigh, and you can feel his desperation with every slow bob of your head, letting his cock hit the back of your throat, the tip pressing further. 

Zayne gasps, a low moan leaving him as his hand twitches against the sheets, knuckles turning white as he involuntarily bucks up, urging you to take him deeper as his hips snap up to thrust further into your hot mouth. 

But then he makes the fatal mistake of looking down at you, locking eyes with your teary gaze as you maintain eye contact before swallowing him back down, crying as he catches the slight bulge in your throat. 

And fuck, the way his low moan echos across your room, thrumming against your skull before one hand instantly fists into your hair, large enough to cup the back of your neck entirely as Zayne forces you down, deeper, urging you take him into your throat as he thrusts himself further into your hot mouth. And fuck, maybe it’s the praise, because you make him want to be greedywith the way you were gagging and choking around him.

The mere feeling of you gagging around his length, the way your moans come out muffled and wet with drool and his slick, like a messy kiss to his cock, has his hips stuttering deeper, arching up into your body until Zayne can practically feel the spark of his orgasm behind his eyes. 

But no, that won't do.

After all, you won’t be satisfied until he’s finally fucking himself inside you tonight. He can’t cum anywhere else. You won’t let him.

And right when you feel his cock go rigid, you pull off. 

Heaving, you shakily prop yourself back onto your elbows, Zayne's length still glistening with saliva between your bodies, twitching violently and leaking all across his abdomen and your chest from its angry red tip. 

“S’pretty, Zayne.”

© poisoN 2024

this will be likely be edited before the final chapter is published, but I did falsely promise the chapter last week... so consider this my informal apology~

[alittlesongbirdchirps]

OOOH DEATH, I MEAN DICK GRAYSON.

(I know Death already has a personification of a female in DC but pretend they don’t for this AU.)

Death wasn’t a skeleton with a robe made of black or a scythe. Death was more of the delivery person and sometimes could end life with one simple touch.

One day, life, bored from existing since the beginning, challenged death to a game.

“Since you are so cold and indifferent to those whom you take, why don’t you experience what they do? Why don’t you leave?”

It was an intriguing proposal for death, who had never really cared too much for life’s creations. Only a few small and innocent ones ever got a soft and caring voice from death.

“Death cannot be around the living, nor touch it.”

Life smiled softly.

“Maybe for a time it can, a short time, but enough to learn why death is so frightening to those who live.”

Death agreed to this game, and life constructed death a body that death wouldn’t be able to use its power, not unless it truly wanted to.

The body would be more like a vessel to contain death; if death used any hint of power, the body would begin to crack, almost like ice.

And thus Dick Grayson was born; of course, Dick didn’t know the requirement to live was to not know what was waiting on the other side.

But then Jason died, and when Dick returned from space, he sat at Jason’s grave. He didn’t get to say goodbye; he was angry with himself, angry with Bruce, and furious with the Joker.

“He can’t be dead. I didn’t—

His train of thought stops. ‘He didn’t what?’ He wonders why he lost his train of thought.

Jason ended up being alive, a miracle, but then after that so much happened.

Like John Constantine, a man he only heard tales of, stops dead in his tracks when he sees Dick, and he looks terrified. Normally, heroes find comfort in his presence and enjoy his company, but Dick didn’t even get to speak before Constantine disappeared, and Jason ended up laughing along with Tim and Steph, whereas Damien stated, ‘Constantine is a fool Grayson, a drunken fool; don’t mind him.’

And weird stuff like that kept happening. The weirdest one was when Darkside came, a being who represented death, but when Dick finally arrived right before Darkside prepared to kill Captain Marvel, Darkside paused, looking around almost in disbelief and confusion before dropping Captain Marvel and, funnily enough, quickly leaving.

Yet Dick still didn't connect anything or question it, but Tim and Duke began to.

(Dick sort of doesn’t remember what he truly is, and this is more of a game playing human but he feels and knows things deep down like Jason was supposed to die and stay dead, and Dick didn’t want to be close to him because some part on a deeper leveled remember that, and then when Jason died the human part was angry allowing a small part of his true self to leak through creating a small crack, so when he trails off he almost was gonna say I didn’t take him, and his close relationship with Damien because of the Lazarus pit he can sense that in Damien blood practically even though he doesn’t know it, Constantine dipping compared to other magic users like Zatanna is because the others don’t know and most people when they die, find death peaceful so that and Dicks charming personality is why heroes and others like him all find themself comfortable around Dick. whereas Constantine is different when he dies it won’t be peaceful he will be in hell, so he feels overwhelming death instead of happy vibes.)

This was just another silly idea.

(NOT EDITED LOL, SORRY FOR SPELLING MISTAKES, ME SICK TOO.)

[junedenim]

2012

beneath the boardwalk, part 10 (series masterlist)

why'd you only call me when you're high?

warnings: a whole lot of angst, temptation, nostalgia, and nothing

word count: 10.4k

Squished between two couch cushions watching Real Housewives, I got a call from Alex. "Did I wake you?" He questioned. It was late or early depending on who you asked. I had been woken up from a cold I was suffering from. He had never gone to bed.

"No, no, I'm just sitting around, suffocating," I complained. His voice was rough, but not thick with phlegm like mine. He chuckled in a rhythmic format, beat after beat. He sounded like he was sinking into himself, his flesh turning to goo. I heard his lips smack together as if he was chewing on a piece of hay. I coughed, the harshness reaching him miles and miles away. "You alright?"

"Yeah." I think he was chewing gum. "Just got home."

I hummed with understanding. "Did you have a nice night?"

He made a noise of indifference. "How long you been sick?"

"Two days now and it's not getting any better." I sniffled and stuffed a tissue up my nostril, thankful that I lived alone. "Think I caught it at a New Year's Party. I'm worried I have mono."

"Why? You've been kissing a bunch of people?" His words hung in the middle of us. Both of us moving on from one another had been unspoken. We were still on a break for all intents and purposes, even if he was with Arielle. Another thing we never talked about. 

I gave the best laugh I could do without coughing. "It's supposed to be good luck. I also ate 12 grapes and banged bread against the wall."

"Did you really?" He amusingly asked.

"No, well, not the bread part." I sighed. "Now, I'm just sitting on the couch watching shitty reruns. I can't fall back asleep."

"Neither can I," he said.

I hesitated and curled up under my blanket. "Is that why you called me at 4 in the morning?" I said it with a laugh to ease any tensions that may arise.

"It's only 1 here."

"Right. I forgot about the time difference." It didn't seem right for him to be so far away permanently. None of this seemed like the correct order of things. It was a misalignment but there could be no corrective measure.

"Yeah, I kind of did too." There was a pause like he was thinking things over. Like he might have had something to say but now he couldn't find it. "I'll let you go then." In more ways than one.

*

Alex was a cloud. He was away on tour, far away and out of reach. We talked less but not intentionally. We both just got really busy and we didn't need each other for that constant contact anymore. I was plummeting toward the wildest time of my life and he was up to his usual unable-to-contact schedule. Somewhere in Australia first then opening for The Black Keys. Plus, he had Arielle.

The new girlfriend thing didn't bug me much, at least, not in the form of jealousy. It was a strange thing. I hadn't fully adjusted to the idea but it was much easier when he was nowhere near my life. If it had happened when we were younger, I think I would've punished myself for it, but I had grown into a far lighter figure who understood not everyone was trying to make a mark against me. Alex was living his own life, which for the past few years had been dedicated to one person. It was "seeing what else was out there."

I was alone for the most part. I saw Jackson nearly every day, whether for work or leisure, but I was getting used to being alone for long grasps of time. I spent time writing in my notebook like the old days. A therapy session that I locked away in a drawer. I rotted in my room for days. I watched all of The Sopranos, practiced the splits, and thought about getting a cat. It was winter and a very boring time.

But around the end of January, I did my first interview. It was small and nothing huge, but it was talking about my work in-depth for the first time with a stranger. I pretended I was talking to Alex.

Alex and I didn't stop talking completely. I called him on his birthday, briefly, and we had a long chat toward the end of January where we caught up with one another. Neither of us had much to tell. He had been touring. I had been crawling around New York doing next to nothing, besides book matters and talking about my "marketability."

Alex laughed at this. "Yeah, they tend to do that. Try to whittle you down to one trait."

"It's making me feel insecure." I laughed at it but it felt small inside me, burning its way out.

Alex hummed in agreement. "Well, at least you're not a pimple-ridden kid doing it."

It wasn't something he talked about much. He hated people giving him attention, yet he was in a career that commanded eyes to be focused on him. It was one of our many skimmed-over conversations. In some ways, it made me feel like I didn't know Alex. We both hid parts of ourselves from one another and knew that the other did this. That burning curiosity we used to have probably went out once we started to live with one another. You know someone for long enough that it begins to feel like you know every inch of them. I slept with him night after night but I wondered if I ever knew what was ticking on in his head before he fell asleep. What was he thinking when he sat outside with a closed notebook? Why did he turn away?

I didn't even know why I turned away. I wrote repeatedly in my notebook, questioning why I couldn't make it work with Alex. I resisted jumping into a relationship because of that. If I couldn't make it work with Alex then it probably wouldn't work with anyone, especially during that portion of my life. I didn't know what it meant to be alone, like really alone.

I deflected a lot. I even deflected earlier in this book. I was devastated by the loss of Alex and I don't think it hit me until much later because I always had an anvil weighing on the back of my head telling me it wasn't over. Arielle complicated those ideals and I think for a while I was on my back unable to regain upright status. I was flailing.

That's why I paused. When 2012 hit, I was forced into a corner. I felt distant from who I was but still so far away from who I was becoming. I felt like I was the roots of the tree that had been cut down. I was left to be a stump.

One night, over a joint, I told Jackson I didn't feel British. Jackson, a Californian boy through and through, did not understand this. He laughed from the high while the smoke just made me more disoriented. He told me that I was "perfectly British." To me, that sounded like some marketing strategy. That's what the book would be marketed as—a British girl coming to America; her cold skin meeting the California sun. It made me hate the book. Or I hated myself, the lines were blurring.

I thought I had grown away from forms of jealousy. I have just previously insisted to you that I experienced no feelings of envy toward Arielle...but I did. It was ignored and then it couldn't be. The "R U Mine?" music video featured Arielle and a "new" Alex. I'm not a fan of the insinuation Alex suddenly changed after we broke up, besides his hair and fresh Sheffield tattoo, I would come to know Alex was exactly the same. Alex never quite changes. He's always been suave. It's hard to take a 20-year-old as seriously as a 25-year-old, especially when he is still pimple-ridden.

I found my jealousy toward Arielle in regard to "R U Mine?" was the same as when Alex showed me "Bigger Boys and Stolen Sweethearts" because, honestly, since then Alex's only explicit romantic muse (the word makes me want to barf, but that's what I was) was me. It's the weird thing of being with a writer, especially with personal subjects. It's beautiful when it's for you but then you realize that it was never really for you. It was about you. Alex didn't write a song to make me feel loved. He wrote a song because he liked writing songs.

Unknowingly, I always felt that. It's why I didn't swoon every time I heard "Mardy Bum." I loved it as a song but it didn't feel like a love letter. I felt Alex's love in far different ways. As the years went on, I would find love letters in songs, but at the center, I found his love in crevices: a note from college, a smoke outside a pub, a cooked meal, folded laundry—god, I sound old.

But his love wasn't restricted to those songs. Just as my love isn't restricted to this tome. This is a love letter in pieces for Alex but it's also for my youth. I found around this time, I began to reflect on those early years. Nearly 10 years out from 2003, I became a preservationist. I jotted down my memory of my first conversation with Alex. I tucked it away in my drawer, no use for it yet.

*

Alex called me on my birthday. He wasn't too far away, somewhere between Portland and Boston on a bus. It was late with only an hour left to my birthday, which I had spent drinking with friends. It was a rather simple birthday. It could've been just another night, minus the cake (red velvet with frosted flowers on top of it) that Fennel and Kaka purchased for me.

Alex texted me in the morning. Something akin to Hey. Happy birthday. Al.

It was formal and if it didn't make me laugh so much I think I'd be hurt by it. But Alex always texted like that as if he was penning a letter. The letter was awfully short but it was sent at 4 AM, which made me believe he either had no sleep or had just woken up.

I was expecting more and I got more. When I was drunk.

"Hi," I said, shoving the phone to my ear as a subway train came roaring by.

He chuckled, hearing the noise. "Hi." He waited for it to pass fully before continuing, "Happy birthday."

"Thank you."

"Did you spend it good?"

"Yeah. I'm pretty drunk."

"Alright, then, I won't keep you long."

"No," I insisted. "Stay on the phone with me." I was pleading. I didn't want to let go of him. "At least, until I'm home." I wasn't far away but I lied and acted like I was further away, keeping him on the line with me, even as we lost connection at various times.

"Sorry I didn't get you anything," he said halfway through the subway ride.

"I didn't get you anything,” I reminded him.

"Yeah. Feels weird."

We hummed in silence because we both knew how abnormal this was. We weren't friends. Alex and I were never friends. Nothing ever went away or could ever go away. We were struggling to redefine what we were. We could never disentangle from one another. It pulled us back toward one another, even when we shouldn't have.

"I was going to get you that, uh, milkshake maker so you wouldn't have to pay extra at Morgenstern's for one." I didn't know a person could get so emotional over a milkshake maker that they would feel like crying on the F train. I might be the only person ever.

It was such a stupid gift. I would probably get two uses out of the machine before it broke and it wouldn't be as good as Morgenstern's makes theirs and it would go to waste. Still, I can imagine if he did get it for me. How after I unwrapped it we would go to Morgenstern's and get a pint of ice cream and Alex would make me a milkshake. One just for me. If I was feeling generous enough, we'd share the straw.

None of this would have happened, even if we were together. He'd still be in between Portland and Boston and I'd still be riding the F, wishing he was with me. It was comforting that maybe I had done the right thing, even if it felt so hard.

"Well, you can get it for me for Christmas."

He laughed and said, "Okay."

*

Black leather loafers with black wool flannel trousers. A white poplin shirt, two buttons loose at the top and at the bottom. I had a black corduroy jacket that Jackson held for me. I felt like I was dressing up in my mother's clothes. I was doing book press. It was an unfitting experience but I held the hardcover book in my hand. It felt unnatural but I liked my authour's photo.

By that point, I was so far removed from the contents of the book. I started to second-guess it even coming out. It felt like my diary, even if it was evasive at times and cut out the personal from that time (Alex is not mentioned once, not even as the person I moved to LA for). Still, it was exposing, but it was real now and it was sitting in my hand.

Alex came to town a week later, opening for The Black Keys. I didn't see the show—things were getting too busy by that point. I asked Alex if we could meet for a quick lunch and he accepted.

We met at Westville, a cute restaurant, but by no means romantic. I felt a need for that to be clear. I worried about Arielle worrying that I was trying to "steal" Alex or whatever that meant. I don't think she ever did. After all, she had the guy and I was resigned with no longer having the guy. It wasn't the bitch fight it has been imagined to be.

I waited for Alex outside the restaurant, smoking a cigarette to achieve my all-time high of cigarettes per day (this was not a good year for my lungs). I dressed in jeans and a T-shirt. I wanted to look cool but relaxed. I wore the previously mentioned black loafers to make it look like I didn't roll out of bed and throw some jeans on.

Alex wore the same thing: jeans, T-shirt, loafers...and a leather jacket. It was a hotter March day when spring was beginning to peek through and relieve the bitterness of winter. He was across the street stuck at a streetlight and I waved to him and he waved back. Then, we just stared at each other, waiting for the light to turn green.

He crossed, said hi, and hugged me. Every move was made with slight awkwardness. We hadn't been alone together since he moved out. "Have you been waiting long?" He asked.

I shook my head. "Got here early, just for a smoke. Do you want to go in now?"

"Yeah. Yeah." He bobbed his head.

I put my cigarette out and he followed me into the restaurant. "Your hair is back to normal." My natural brown. It was better for me to not play pretend when promoting a book about my own life.

"Yours isn't," I commented. It came off snarkier than I wanted it to.

He shrugged and smiled to ease the thick fat of awkwardness. "Yeah, well, you know." He didn't say it but this was the new normal for him, which was fine, but it was different from what I knew. When I dreamed about him or pictured him, it was still with a curling mop top or, you know, just the mop if I was dreaming of '09.

"Tattoo too," I added.

"Yeah."

"You're a changed man."

"Yeah."

Our heads ducked down and we stared at the menus in silence. It was a challenge of who would speak first—seriously speak, not those little comments over what looks good.

After we ordered, I said, "Sorry I'm not able to go tonight."

He waved me off. "You've already been to too many shows. Don't worry."

"Well, I like going. It feels weird not to go."

"Yeah." Somewhere in that word, I knew what he meant. It had been years since Alex had the ability to spot people in the crowd, but he told me once that there was a comfort in knowing I was somewhere in there, that even if he messed up, there would always be someone there at the end of it all. I wonder if he was still getting used to someone else being at the end of it all.

He sipped his water to cut off the look on his face. I decided to cut to the fat of it. "I, uh, have something to give you."

"Why do I feel like it's something bad?" He cracked a laugh, lifting the air in the room.

I picked up my bag. "I hope not."

I dug through my things slowly. It was held in my hands but I still had to catch my breath before I lifted it out. I saw a squint on his face as he tried to imagine what it was. I passed it across the table and his hands took it. That is when it all started to feel real; seeing his eyes land on it, his hands run down its spine with him smiling. "It's a first edition," I joked.

He raised an eyebrow, flipping it open. "Is it signed?" I laughed. I'm not sure what made me happier: him holding my book or joking around with him again. He opened the other end of the book. "Good author photo."

"I'm quite happy with it." Somewhere in that bittersweetness, I did feel content. It was never how I imagined him holding my first book. Parts of me were swallowed with sorrow that I would never experience this in the way I wanted—a desperate romantic lovemaking all-consuming kind of way—but there were small parts in me that were happy that we could still have this. I don't know if we kept dragging things out this would have been as joyous. That this would have felt like closure.

Alex looked up, meeting my eyes. A small smile played on his lips. The kind that can't be faked in any way. It was real and from the hurt. It was that pride he always had in me. The pride that kept me going for far longer than I'd ever imagined. I wrote the book, but he made the book. I never would've written anything close to it without him. I'd probably be stuck fucking Robert in London if it wasn't for him. It was my reassurance to him that he didn't have to make up for the sudden move to LA as he constantly tried to do. He wasn't in the book, but he was the book. It's why I dedicated it to him. It's why on the last page of his edition of the book I wrote: Don't make fun of me, Al. Thank you for this. I hope you know why. Love, Jane C.

I questioned the "love" part. I didn't want to make him uncomfortable but it would have been far more awkward to write something like "sincerely." I wasn't one for lying, especially about my love for Alex. It was something layered. It didn't rest in that romantic love. He wasn't just my boyfriend and he wasn't just my best friend. It's hard for a writer to find the word. It's nudged somewhere in this book. In all these little words.

"I wanted you to be the first to have it," I said. "Well, one of the first. Wanted to see the look on your face."

He looked back down at the book. Mild disbelief spread across his face as he looked back and forth between the book and me. "Thanks." He wasn't sure what else to say. He rolled everything around and looked as if he was choking on the bone of a chicken.

"It's been a little weird these past few months," I said while picking at my fingernails, an assured sign to Alex that I was referring to us. "I don't want it to feel weird. So, don't cry or anything," I joked.

He chuckled, dislodging the lump. He flipped the book over one more time before placing it on the table. "I'll try not to. I knew you could do it." He stared right at me, emphasizing every little syllable. The awkwardness faded from him and he leaned onto the table. His smile was small but bright. I could find a million different meanings in it, each meaning just as much.

"I know you did. You always did," I told him. "I had this dream last night. It was weird and blurry but we were driving around Sheffield or some weird ghost thing was driving us. It's hard to describe. I don't know. I think it was a sign or something. I'm not sure of what but just those early days of us talking. That's when I really started to write. I suppose my mind was thinking about this lunch and conjured up some old memories."

He smiled at me the whole time, eyes never leaving me, even when I glanced away. "Well, I had a dream that I was one of the animals left off of Noah's Ark, so, you tell me what that means."

I told him it had something to do with his fear of being left behind and he rolled his eyes and said I was trying to be Freud. Lunch came and we ate and laughed and agreed to split the check. He told me he would read the whole book tonight if he could. We hugged goodbye and he whispered in my ear, "I'll send you a proper review."

A few days later, Alex emailed me. It was long. Very long and detailed like he had taken a note on every page. He pulled the sentences he liked the most out, which turned out to be about half the book. I would later write back and ask what that meant for the other half of the book. He said they were left off Noah's Ark too. Continuing his initial email, Alex wrote at the bottom:

You did it. I hope you feel that too. Thank you, Al.

*

I had a book tour. A minimal one since there wasn't the highest of expectations and I didn't want to go to Omaha, Nebraska. So, there was Boston, New York, Atlanta, Chicago, Houston, and Los Angeles. I hated the whole thing. I always wanted to go to these places but I wasn't really going to these places. We lingered in Chicago at the end of July, but it was the equivalent of touring with Alex, except this time I was Alex.

I've never enjoyed talking about my work either but it was nice that people thought it was nice. But that part still felt awkward to me too. Like, people actually read this??? It eased up as it went along. It was a short tour anyway. I wasn't going to Tokyo or anything.

I thought about myself a lot. It was a little lonely but I had adapted to that. Jackson was my only company on the road and it was easy for us to get sick of one another. We had both grown bored with one another, both slightly exhausted from these months so closely intertwined. I thought about Al, often. I thought about myself, often.

Could it be possible that I did everything right? No. I never thought that but I didn't think I did everything wrong. I had cracks in the surface of me and guts that spilled out. I said everything with my pen but nothing with my lips. I hid myself under the disguise of a freshly lonesome girl who knew the only means to move on was to forget. But I didn't forget anything, only myself, just for a little. Pieces of me dropped on the side of the highway. We drove for days and I found no meaning in it, only wondering did he feel like this all the time? How did he bear this loss of self?

I asked myself questions and never got any answers. I felt everything but there was never any meaning in it. There were closed-off vessels, no means to transport blood or oxygen, yet, I was still moving. I suppose that was the only thing left to cling to. I still had the memory of it and those never made me sad. I experienced it. How fortunate was I to be cracked open and exposed to this impenetrable love? I still felt it. We were both on the end of the same wire. It was bent and twisted, knots made to keep strong but disrupt transmission. No love lost. Just changed. I know good comes from change. I didn't feel the goodness but I could taste it coming. So much else was happening. I would hate myself forever for wasting those precious few days of enjoyment in place of a relationship that didn't need nourishment anymore. It was about me. I wanted it to be about me for so long and it finally was. Don't waste it.

The mini-tour ended in LA at the start of August. Summer had whipped me in the face so hard I forgot the season even existed, until I was stuck in the sweaty, SoCal heat, dying for a drop of water. The first night—the day before the Q&A and book signing—Jackson and I got dinner and drinks with Opal.

It was nice to let loose after feeling so pinned up for most of the summer. The liquor soothed my sunburnt skin and I decided the tour as a whole wasn't too bad—I was about 3 drinks in at this point. Then, after another drink, I texted Alex telling him I was in town. The last we chatted was a week or so before when the band opened for the London Olympics. I watched it later on YouTube and told him he did a bang-up job. He told me he nearly shat himself.

Alex had returned to LA since. The city had become his permanent home since the tour had ended. He bought a house out here and everyone in the band, for the most part, had relocated too. So, in my drunken state, I told him I was there and we should hang before I went back to New York.

When I woke up, it was an embarrassing text of I'm in LA, AL. Even in my drunken state, I wrote with proper grammar. Alex wrote back, Come on over. This was in the early hours of the day so he must have been up by some similar means too.

The following night, I panicked. I wondered if this is what single people felt like all the time. Prior to this, I had never faced intimidation when hanging out with Alex, except maybe when I was 17 and that type of thing could be labelled as teenage anxiety. But, no, this was a thing that would plague me the rest of my dating life and I wasn't even going on a date with him. Alex is the only "ex" I had stayed in contact with up to that point. Most of my friends didn't do this type of thing either, at least not Opal who lived by the mentality that once people were gone they were gone forever.

Half my anxiety came from the limited wardrobe out of my suitcase but considering it was just dinner and a dinner that would be had with the other bandmates and the girlfriends, there should've been no pressure. I wouldn't have told you this at the time, I barely want to write it down now, but the nerves I felt weren’t because of Alex, they were because of Arielle. Part of me wanted to be conceived as a non-threat. I was over those days. The other part of me—the stronger part—wanted her to be jealous of me and question why Alex and I ever broke up. I wasn't fully-formed yet. 

The two sides fought and then I just settled on jeans and a tank top because it was boiling outside and I was having drinks at Al's place, not the Windsors. Luckily, I showed up after Jamie and Katie so I thought of using Katie as a shield. I didn't accept Katie and Arielle to be talking though. The word traitor crossed through my brain and then I thought I must be regressing to my college days when Rosie and Will would feel each other up in front of me. Arielle was nice and I was probably an anxious bitch.

So, I hugged both of them as Alex came into the living room. He was staggering, dressed casually beside his uniform slicked hair. "Hey there," he greeted. He was calm, not an awkward bone in his body. He knew he had the upper hand. We were on his home turf with his hot girlfriend and I was a single mess who had been on plane after plane and stunk of cigarettes.

The room was hot with sweat dripping off every surface it seemed. The air conditioner was running but the flaming air came rushing in with the swing of the front door as Matt and Breana entered. The room became distracted by them, both looking darling. I hugged each of them, distracting myself in their grasp.

Arielle had lit candles for the dining table. It was the only thing formal about the informal event. The house itself was rather bare. Alex never carried much, I was always the one with the shit. 

Alex tapped my arm. "You want a drink?"

"What do you have?" I asked.

He waved his arm and I followed him to the kitchen, isolating ourselves. "Beer, wine, tequila, vodka, all the fixings. I can make you something if you'd like. Margarita?"

"Anything non-alcoholic?" Alcohol would ease my nerves but it would lead to my loud mouth and I couldn't afford that tonight.

He looked bewildered. "Who are you?" He joked.

We kept our distance. I pushed my hair behind my shoulder. "Got real drunk with Opal and Jackson last night. Figured I'd keep it clean. At least for now."

"Right then. Iced tea?"

He knew me well. I laughed at his smile and agreed to this. I moved closer to the refrigerator to just feel the cold air on my skin. He poured the glass, leaving the door open for me. I chugged the coldness like it was the elixir of life. It felt like my lungs re-inflated when the liquid dispersed and his eyes looked at mine again, so clearly over that fogged-up glass. Wet brown eyes into my baby blues and it felt like he might reach out and snatch them out of my eyes and keep them for himself. He always liked them. He has a thing for blue eyes.

We talked around the dining table, eating a mix of something Arielle had cooked and pizza. I had the pizza. Everyone talked loosely about things I had no knowledge of. Jokes about LA and all these people I had no concept of. I suppose if they had come to New York it would have been similar, except they all shared this with one another.

The sweet Breana turned the attention onto me, which partially made me shrink and revel in the joy of being included. "Oh, Jane, I loved the book!" Everyone chanted in similar sentiments all at once.

I laughed and took a bite of my pizza crust. "You didn't all read it," I laughed.

"I read parts of it," Jamie said. They were all sweet but I'm unsure how often any of them even had the chance to pick up a book, let alone their best friend's ex-girlfriend. Because that's what I was now. That was my title.

Alex looked at me. I could hear my mother's words ringing through his lips so I smiled and said, "Thank you."

"Disappointed I wasn't in it more," Matt said. "You know if it wasn't for me the book would've never been made." The long story of it has made that true but I can't give Matt credit for everything, it might go to his head too much.

"How's that?" Arielle asked. Everything shifted after that. We could all tell that she had been the wrong one to ask that question. Whether she was clueless and curious or was trying to make a dig at Alex, I wasn't sure, but I felt like an imposition being there. I didn't feel like an out-of-town friend. I felt like an ex-girlfriend.

Nobody spoke so I spoke. "Matt introduced me and Alex." I sipped my drink to wash down any other awkwardness.

Everyone seemed awkward other than Arielle. She quickly nodded and said, "Oh, yeah, Al told me that." I wondered why everyone else was so stiff when Arielle didn't seem to have much of a problem with it. Why should she when she looked like that?

I felt frumpy and had to pee badly from all the iced tea I had drank but I was too scared to go to the bathroom and see her things mixed with Alex's things. I could leave there with ambiguity and the belief that Alex didn't move on so quickly and I was stuck being alone.

"That was our first gig," Matt said. He seemed to relax, always the person to slice through any amount of tension. "Almost 10 years ago now."

"What was it like?" Arielle asked.

"Awful," Alex said. His eyes pointed toward me. "Right?"

"I don't know. I never reviewed it, remember?" He laughed and it felt inappropriate to display this inside language in front of everyone. "It feels weird that I'm the only one here who watched it." Even if that had been the case for many years, it had been a while since we all gathered around in a circle and talked about those days.

"I wasn't even there," Nick remarked. The room buckled with chuckles.

I laid my forehead against the palm of my hand resting against the table. "God," I said, "I spent that whole show with Will’s hand on my ass and Joanie screaming in my ear."

"Oh, god, Joanie," Matt muttered.

"Oh, god, Will," Jamie cracked.

"She got married last month," I told them. She had invited me but I was in the middle of the tour. We talked about once a year and everything was always nice. The only time I would've had the chance of running into her was when Alex and I visited Sheffield and that obviously wasn't happening anymore.

"Bless that man's heart," Matt quipped.

I shook my head. "No, she seems to have settled down in the last few years. I guess we all did. Seems so long ago."

"It was," Alex said. "We're getting old, Janie." His silence punctured the air. My lungs felt like they were deflating. He poured himself another glass.

Things grew looser and looser. They rattled off stories of LA, I rattled off stories from the road. Arielle excused herself to bed, citing an early morning. Her bed was upstairs.

Each couple left one by one until Alex and I awkwardly remained. I figured then I should leave. He walked me to the door with a freshly poured glass in his hand. "Hope I didn't keep you up too late," I said because I wasn't sure what else to say. It reminded me of what my parents said to each other after a fight. It was the one thing they clung to in order to keep their marriage somehow working.

He shook his head and sipped. "No, no. It's fine. You're always good company."

I shrugged. The whole thing kind of felt awkward, at least with him. I could laugh with Matt and throw my arm around Katie, even hug Arielle good night, but whenever my eyes landed on Alex, I tensed up so tightly I knew I'd be sore the next day. "If you're ever in New York or whatever."

He nodded and smiled. He would be visiting his old apartment. I wondered how that would make him feel. Was it the same when I walked into his house and noticed different shoes by the door than mine? Would the emptiness of his presence leave him uneasy? "I'd like that," Alex said.

"Thanks for having me." We reached the door and the end of the night but we stayed awkwardly staring at each other.

"Course. Text me when you're back at the hotel and safe and all that." He was drunk, rambling with an incapability of holding his tongue.

I smiled. "I will."

I didn't know whether to hug him or not. He leaned forward and kissed me. It wasn't affectionate. It was a peck. The kind my mother used to give me when left for school in the morning. Of course, she was my mother and I was 7 and Alex was drunk and I was, well, awkward. 

I said, "Night," and turned away. We never talked about it because there was nothing to talk about. It very well could have been a kiss on the cheek just like I gave Katie and Breana before they left. Of course, that was Katie and Breana and this was Alex—no longer mine.

*

Rain pattered against the window. Jackson and I returned to New York a week prior and we were now sitting in my apartment, drinking, and about to call Opal to join us. I felt dizzy and Jackson looked sleepy. It had been a long month.

"So," he said, "what's next?"

I finished off my glass. "What do you mean?" The year felt empty as the cold was beginning to creep into my summer warmth. 2012 was a bumpy year where so much yet so little happened. I was growing sick of my apartment because no matter how rid it was of Alex, he still had a whole life with me here. When I returned to it after the book tour, I was ready to move on.

Jackson placed his arm on the back of the couch. The tips of his fingers softly poked at my shoulder. "Now it's time to think about the next book."

I tossed my head back with a groan. "Gimme a break."

He chuckled and placed his empty glass on the end table. "No rush. For now."

I sat up straight, finishing off my glass, and growing more and more serious every day. "Thanks for doing this for me, Jackson."

He nodded. "My pleasure."

"I feel kind of empty," I confessed.

His brows furrowed. "What do you mean?"

I didn't feel like explaining it. I was growing tired of doing that with people. My stomach ached and I pushed Alex out of my mind. I felt that I had sacrificed our relationship for this success, even if it wasn't true. I thought I would have been over it by that time of year. It had been over a year. But it still felt so unnatural for him to feel so far removed from my life. Every word we spoke felt tinged with sadness and I didn't want it to feel that way. I wanted to move on.

I kissed Jackson. He kissed back. We never called Opal.

*

Jackson and I started dating in a casual way. We were exclusive to one another and treated each other as a boyfriend and girlfriend would but I suppose my association with dating was always a far deeper connection. I wasn't alone in this. Jackson had long-term girlfriends prior to me. He was older than me, not by some outrageous amount. He was born in 1979, seven years older, but I was 26 and 33 didn't feel so far off.

Opal loved it. She felt like the ultimate matchmaker and wanted to be both the maid of honor and the best man. My New York crew loved him. Fennel and Kaka found him to be rich in conversation. He liked going out more than Alex but then again most people liked going out more than Alex. Except more and more it seemed Alex enjoyed the going out part. (I was taken but I was still a snooping ex-girlfriend).

I didn't tell Alex. It felt awkward to call him up and tell him I got a new boyfriend. I decided to tell him when I saw him again, which didn't come up. He was in Los Angeles. I was in New York. We didn't talk very often either. I think I called him once in October because I couldn't remember the name of a restaurant we went to (he didn't remember either). 

Other than that, there wasn't much reason to talk. We had completely separate lives. But I was aware of what he was up to. I wasn't cyber-stalking him much anymore (only on nights when I was wildly intoxicated). I talked to Katie occasionally and texted Breana from time to time. Things about Alex would slip through the cracks and get to me but the majority of it was just that they were recording their new album.

We had both moved on. Or we were both pretending we did. At least I was pretending, in some form. I thought about him all the time. I didn't feel like a day went by when I didn't think about him. It wasn't in some romantic longing way. I had shared a life with him from such a young age and to be forced apart from it felt unnatural. There were so many jokes and stories that went untold because no one would get it but him.

When I went back home for the holidays, I confided this to my mother. I don't know why, maybe because of what she had told me so many years ago in Florida. I don't know if my mother ever actually liked Alex so I figured if she said awful things about him it would make me feel better. Of course, she didn't.

"It goes away," she said. "One day, you wake up and you're numb to it. You just get numb to it in the end, Jane. All those people you hated and loved turn to nothing. Even the ones you still want to love. You'll be thankful for it when the day comes that you don't feel anything anymore."

I frowned and my mother left me on the couch to fetch another bottle of wine. In retrospect, my mother was suffering from mental illness, but I was oblivious to that because I had grown oblivious to most of my mother's behavior. I just didn't want to engage with it anymore. Maybe part of me was numb toward her.

I didn't want to feel nothing. I couldn't imagine not feeling anything for Alex, even if we remained friends for the rest of our lives. I had tethered so much sentimentality toward him, he might as well have been a knick-knack on my shelf. Letting go of him would be letting go of an entire part of myself. I was content if that part only came out once a year when I saw him but I couldn't let go of it forever.

*

Joanie was having a baby. She likely got pregnant on her honeymoon. Someone my age having a child felt unnatural. I pictured Joanie being a teen mum, not a 26-year-old pregnant woman. She invited me to the baby shower taking place right after Christmas. It was ideal timing since all her closest friends would be in town or, like me, the country.

I debated going but decided that since I missed the wedding the least I could do was go to the baby shower. So, I drove the Beetle up to Wakefield. I figured it would be a mini-reunion. The only one I had seen as of late was Claire, who lived in Bristol now, and I hadn't seen since last winter.

We drove up together and listened to Radio 2 on full blast the whole way. I don't think I had ever felt more like a teenager even when I was a teenager. Claire continued her streak of always being a comfort for me. While other friends might be wedding and birthing, Claire had just ended her two-year-long relationship and gagged in her mouth at the thought of being a mother one day. 

It made me miss England so desperately. I forgot how much I ached to drive, which I hadn't done in years. The closest I had gotten to a car was the one taxi ride home drunk at 4 AM. And to drive on the left side of the road! I hadn't heard someone speak in a British accent since the dinner at Alex's. It eased my ears and made me wonder why I ever left, which just led to me thinking about Alex again.

Claire said, "I hate Alex, which sucks 'cause I like Alex." In a way, it summed up how conflicted I felt. Hate is a strong word but I was resentful for how everything went down. Then again, I probably didn't have much of a right.

Joanie's house was straight out of a picture book. I didn't know houses like that even existed in Wakefield. It wasn't fancy but at the sight of it, you'd call it a home. She had a little garden in the front that she said her husband grew herbs in that she used for cooking. It made Claire and I roll our eyes but we both desperately wanted that kind of companionship. If I ever would learn how to cook or grow plants, maybe that could be my life. I refused to do either, but it was a nice thought.

I bought Joanie—or Joanie's baby—these cozy fleece booties because that's what New York Magazine said to get. I never bought anything for a baby before (I got away with it two years ago during Harper's unmentioned pregnancy of my first nephew, Benjamin, by having my mother buy a gift for me) so I had no clue what to get. I bought Joanie this nice set of body washes that were her favourite when we were 17 with the hope that they either still were or she would feel nostalgic over them.

Claire and I ate a slice of cake and watched Joanie open her presents. Halfway through we turned to each other and decided we were going to go out drinking after. I love Joanie but oohing and awing over baby gifts with a bunch of women I barely knew got old quickly, especially incredibly sober and in the middle of the winter blues. The cake was good though.

The shower ended around 4 and while I was down to get hammered that early, Claire wanted to go out to lunch first. We ended up meeting up with AB at a pub. I hadn't seen AB since 2006 and I nearly cried at the sight of him all grown up. Claire and AB had broken up long ago but stayed in touch as good friends and if they could do it—two incredibly mature people—maybe Alex and I could too. 

AB's girlfriend of two years (and future wife), Shay, joined us as well. It almost made me barf how gorgeous they were together and I was shocked Claire wasn't fuming more over how beautiful Shay was. I was almost fuming over how beautiful Shay was!

AB sipped on a beer, which I don't think I had ever witnessed. He shared it was Shay and I swallowed down my drink at the painful thought that Alex and I once did things like that. I was such a sad sack. I thought about calling Jackson. Thank god I didn't.

We left the pub, hugging AB and Shay goodbye next to the Beetle. Claire and I were going to go back to the hotel to change out of our baby shower clothes and "hit the town.”

We waved goodbye to the couple and that's when I saw Alex with his mum. I turned my back to him and grabbed Claire's arm. "I think I'm gonna vomit."

She looked at me completely puzzled. "What? Why?"

I was so freaked out by the sight of him. I think the unexpected nature of it threw me off-balanced. I had never been that unnerved by the sight of him. My head felt like my brain was about to burst out of my ears. "Get in the car," I harshly muttered to her.

She was still unaware but she raced around the side of the car to get into the passenger seat. We bolted out of there before he crossed the street.

*

It was midnight when I called him. I was definitely drunk, but not wasted, standing outside a club smoking while Claire chatted up with some guy inside. I was freezing and felt so childish for doing it, even in the moment, but I wanted to see him. It shouldn't feel right that I was here and he wasn't.

"Hello." His voice was clear so he hadn't been sleeping. I wonder if he was in bed (with Arielle).

I swallowed whatever dignity I had left and let the rest loose. "Hey. I'm in Wakefield for Joanie's baby shower 'cause apparently we're old enough to have children now and now I'm out with Claire at a club. We drove up together from Bath, well, Bristol for her, Bath for me, but you know that. Jesus. I saw you earlier today and raced into my car because I was so scared by the sight of you, which made me realize I'm not as mature as I thought I was. And it was just after we went to lunch with AB and Shay and Claire and AB still get along like they didn't have this romantic relationship and I know that we get along too but I raced to my car and nearly shit myself. Now, I'm outside a club smoking in the middle of winter because I apparently regress back to teenage tendencies when I'm in Yorkshire or maybe just England in general. Anyway, I'm drunk and I'm thinking this was stupid and it probably is but I know you're probably laughing at me right now but I'm freezing my ass off and I can't figure out how to get back inside the club and Claire isn't answering her phone, which means she's probably shagging someone or something and I wouldn't want to interrupt that, you know, and I probably should just get a cab back to the hotel but I called you for some reason. Well, not for some reason because I'm drunk. Okay, now you talk."

I was out of breath and sure I had just lost my mind. I need another shot of tequila. I felt I was growing too sober to face the repercussions of this. I took a drag of my cigarette and listened to his breathing on the other end of the line.

I could hear his smile. I still had a knack for that kind of thing. "I saw you too, you know."

I slapped my forehead and thought about slamming my head into the brick wall until it broke my skull and my brain gushed out. "Did it look like we were being held at gunpoint?"

He chuckled lowly. "A little. But I must've looked like someone pointed a gun at me. I'd recognize that car anywhere, Janie."

I didn't know what to say. My car was such a sensitive topic for both of us. It was the cornerstone (ha) of our relationship, especially for the car to be returned to its rightful county. I thought I'd feel weird driving it but everything felt right like it was a complete homecoming. Like nature had found its way and every piece fell perfectly into the puzzle.

"I thought I would be grown up by now," I confessed.

He suppressed a laugh. "I like you this way. Makes me feel less alone."

"How so?"

He waited, not wanting to fully let the truth go but it was me he was talking to. There wasn't much point in lying. "I've called you in various states of intoxication too."

"Not after running to your car," I pointed out.

"Yeah, well, I'm sure I'll do it one of these days." It was a silence but a vibration rang across the line to one another. Call it a vibe or a wavelength or just a feeling, but I could feel him like he was standing right next to me. "Where are you?"

It was so embarrassing I laughed. "Che & Coco." It was Barnsley College's resident bar and nightclub. The average age of the crowd was barely 20 and I felt like such a loser trying to claim that nostalgia is what made me want to club there.

"Geez, you really are down bad." His laughter rang through the phone and I nearly hung up due to how beet red my face was. He laughed and laughed. I could picture him with his hands on his knees, walking home from Will's house, unable to breathe he was laughing so hard. Then, I couldn't breathe. "You want me to pick you up?"

I'd like that a lot but I couldn't take it. That was a bridge too far. "No, no. I'll just call a taxi or something. Maybe even walk. My hotel isn't that far."

"You're gonna walk in Barnsley at midnight? Hope you don't get hit with a beer bottle," he joked. That had happened to Will back in the day. I'm convinced it made him even dumber if that's possible.

"I've walked later than this in New York," I reasoned.

"Janie," he stopped me, "I'd like to see you if you won't run away from me."

I sighed. "I'll see you in 20. I'll be waiting on Peel." Because maybe I would like to see him too.

He pulled up in his mum's car. It wasn't her car from way back in the day but it made him feel sophomoric to me. His hair wasn't gelled up, instead falling around in tendrils of combed-back magic. He had a hoodie on and a smile on his face. He honked the horn of the car and I dashed across the street to his car.

The car was warm, at least warmer than outside where I had been suffering. I tugged my coat closer and put my seatbelt on. "Hi."

Alex smiled over at me. "Hi." He pulled back onto the road and I couldn't remember the last time he had driven me. "How've you been?"

I shrugged in his peripheral vision. "Fine. Christmas was fine. My dad bought me Slouching Toward Bethlehem."

Alex laughed. "About 10 years too late."

"Yeah, but at least he's trying. I can't remember the last time he bought me a gift." My mother handled all the presents, something she was rather good at, even if it always felt like she didn't know me.

We stopped at a red light. "I didn't get anything for you," he said while looking over at me.

"Well, I didn't get you anything either." First time in eight years. It didn't even cross my mind. "This is enough of a present anyway."

He nodded in agreement. "Good." I believed him. The nod of his head told me that this meant as much to me as it did to me. Drunk actions are sober thoughts and sometimes I just wanted to hear his voice.

We kept driving. I had yet to tell him any directions. He was headed the right way but I wouldn't have had the willpower to tell him anyway. I liked driving around with him. I liked just this. The vibration of the road beneath us and the scent of him washing over me. The slowness of Yorkshire and the heat of him beside me. It made everything feel right.

"Arielle come with you?"

He rubbed his eye. He looked tired. "Nah. She went to her parents’." I nodded and he waited, looking over at me. I stared at him blankly. He looked back at the road and kept the car moving. "What about, uh, Jackson?"

My head snapped toward him. "He's at his parents’." I picked at my nails. I didn't want to talk about this. Why did it feel like I was cheating on him? It felt like Alex had died and I was some widower trying to move on but his ghost was coming back to shame me.

"Katie mentioned something," he muttered.

"Yeah," I explained, "just a few months."

He nodded slowly. "He's a nice guy." I laughed out loud. He laughed too, for some reason. "What?"

I shook my head. "We don't have to talk about my boyfriend."

"Okay. We don't have to talk about Arielle." It was probably some form of cheating, emotionally. We gazed at one another and never acted on anything, but the aftertaste of it didn't feel right. But in the moment, everything had fallen perfectly into place.

We went nowhere and neither of us said a single thing about it. The drive from the club to my hotel was ten minutes. We drove around for an hour.

"Joanie's house is beautiful. It's like my dream house. It isn't big but it's not a cottage or anything. But it's quaint. She's got plants and I never thought Joanie could take care of a living thing and now she's gonna have a baby," I told him. I fiddled with the radio, even though we weren't gonna listen to it.

"Are you sure they aren't fake?" He joked. I chuckled and hit his shoulder. "Eh! Watch it. I'm driving here, missy."

I held my hands up as a defense. I eased them back down with a giggle and tugged on my seatbelt strap. "You know, I thought I'd have a baby by now."

He snorted. "No, you did not."

"At one point I did. I mean, back before you. Like when I was still playing with dolls." 

He laughed again and everything made sense. "Good thing you don't. You can't even keep a plant alive."

"They're not self-sufficient enough."

"And you think a baby will be easier?"

"Not anymore but at six I did! It was right around when Stacey was born. I took good care of her."

Alex felt warm with a smile. "You did." He was an only child but at times I felt he might consider her a sister too. She considered him a brother. He had been around since she was 11. She was only a little over a year away from graduating university. 

"Granted I didn't have to breastfeed her."

It was still dark outside but it felt like the sun was rising in that car. "You wouldn't be happy living Joanie's life."

"How do you know?" I questioned. "Maybe if I was settled I'd feel better."

Alex's jaw gaped. He breathed a laugh and I looked over at him curiously. "Jane, you'd be losing your mind. The whole time I knew you here, you were begging to get out of here."

"Maybe I had it all wrong."

He shook his head, never looking over at me, just driving. "You're a completely different person because you got out of here. You're gonna get all that stuff one day. The kid, the garden, whatever the fuck you want, but you'd never have what you have no if you stayed put. You always knew what you wanted. Your gut is always right. I've learned that."

I sighed and accepted he was right. "Grass is always greener, I guess."

"Yeah," he agreed. "But I think you have the greenest grass. You're the one who's a bestseller."

I rolled my eyes and leaned on the center console. "She's the one with the husband and baby."

He scoffed, "So is half the world. You have a tough time being proud of your accomplishments."

I gasped. "Look who's talking. My god!"

Alex chuckled and it felt like food for my soul. Fertilizer to my soil to keep growing. "Fair enough. But be cocky every once and a while, Janie. You deserve it."

I took what he said to heart but ignored him. I wanted to talk about something else. I wanted to put my feet in his lap and ride to Charlton Brook. Instead, I leaned back and looked at him. "We used to talk about the future so much and now it's come and gone."

"You're not dead yet." But we were. I think that's what I really meant. All those things I had planned with him and I had to be content with letting them go. Watching those promises slip through my fingers. I had no right to feel that way but it's all I felt.

I wanted to tell him I loved him with the windows rolled down and the cold air rushing in because he used to let me do that. I believe that right had been revoked. "I missed it here." The truth was hidden in those words, in between the lines, deep in those letters, stuffed in between them.

He hummed, glancing over. "Me too. Everything feels a little simpler."

I heard the radio speaking, ringing some familiar tune that I couldn't think of the name. Maybe if it had been a little simpler and Alex and I stayed there forever, in the car ride between Wakefield and High Green, we'd have a house, a garden, a ring, a little thing on the way. 

But I would've missed out on a lot more. I would have missed out on a lot of Alex. How he was with his hair long in the middle of Joshua Tree, looking over at me instead of the night sky. How he made up our bed in our London studio apartment into a couch because we didn't have enough space for one. How he felt sitting next to me on the C train at 2 AM. How he felt in the dead of winter in Yorkshire, somehow ending up at my hotel with a hoodie I used to wear and a smile he still wears just for me.

I'll never know otherwise. And that's fine.

*

a/n: this was a struggle but i think it landed right in the end. much, much more to come.

[livebloggingmydescentintomadness]

Hello

I am a recent fan of Supernatural. I finished the series in just two months and wanted to try to make friends with the fandom of the series in my country because I am Brazilian. I joined a group and was excited to talk to people who were as passionate about the show as I was.

I met a really cool girl who told me that she believes that Jensen is Misha and has a romantic relationship. At first, I didn't want to believe it because it seemed like a fan theory that ships Destiel and wants to go further and ship the actors too.

Anyway, this girl told me things that rented a triplex in my head. I thought about it so much that I started looking for information until I found your post on Tumblr explaining Jenmish in chronological order.

I spent hours reading about it and noticing every detail. What I have to say is that you analyzed everything in such an excellent way. This post is of public service in my opinion. Knowing all of this warmed my heart because I was kind of so sad about what happened to Castiel and Dean at the end of the series. The possibility of Jenmish being real made me happier than words can describe. It may be a silly thing but I will believe in it as long as Jensen and Misha keep giving as many possible signs.

I sent your article to my friends in the group and even those who didn't believe in it now believe it. LOL.

Anyway, it was a long speech but I would like to ask something.

What do you think about Misha's relationship with his new girlfriend Emily?

Do you think Misha has been a little more restrained towards Jensen because of this new relationship?

I'm asking because I'm new to this fandom and I don't know much about it, so I wanted to know your opinion because I love your analyses.

(Sorry for any mistakes, I don't speak English, I'm using the translator to write this. :))

oh my gosh, thank you! it always blows my mind when i find out that my obsessive little project has spread so far. i'm glad i could be of service! xD and don't worry, the english is great.

i actually don't know a lot about emily, as it was only relatively recently that misha made his relationship with her public. i think it's great that they're happy together, but my policy with real people is that i only engage with what they have deliberately chosen to share. the hijinks that misha and jensen get up to knowing they're on camera is entirely fair game to speculate on, in my opinion, but if they haven't chosen to share anything publicly, i think it should stay private and i generally won't speculate on it.

while i suppose it's possible, it doesn't really seem to me like misha has actually toned much down, to be honest. he's said that emily and jensen are really good friends, and i doubt he'd be in a serious relationship with anyone who wasn't supportive of the fact that he's polyamorous.

but since emily doesn't really have a public persona like misha and jensen do, i don't want to be too nosy or speculate about her too much. she and misha seem happy together, and that's really all i want or need to know.

i'll say though, that for someone who is new to cockles and has had a look at the sheer size of my cockles masterlist, i can see how it might seem like things have been more quiet or uneventful recently. the sheer amount of cockles content makes it seems like insane events must be happening all the time, and if they're not, something might be wrong!

however, it's extremely normal for there to be long periods of nothing between majors cockles incidents. all the entries on that long list have been spread out over fifteen years! actually, in the last few years we've had quite a bit MORE cockles than we used to get, as we've gotten several jensen/misha panels during the regular convention season in america, due to jared missing several cons and misha taking it his place. it used to be that we got ONE cockles panel a year! we would look forward to jibcon in italy all year, because it was practically the only time we'd get to see them on stage together.

sadly, we do get less cockles outside of conventions nowadays, since the guys are busy with different projects and live far away from each other. but we got several shared panels this year, and they were clearly thrilled to be together every time. :)

anyway, i hope that answers your question! i completely agree with you about the comfort and happiness that cockles brings in light of the tragedy of destiel, it really does help the heartache to know that for once it was real life that got the happy ending. take care! <3

[starryoak]

Making memes out of my headcanons, part 3, swinging bats at hornets nests edition!

[faaun]

Jack Marsh (2005), Friendship Otherwise - Toward a Levinasian Description of Personal Friendship

[margindoodles2407]

blame @seeking-elsewhither for this one. it's echo time and i'm having thoughts (tm)

[izzyspussy]

why are they laughing at him as he gets straight up killed??? he doesn't deserve this! he's a sweet kid at heart! he literally just needs one (1) real friend!!

[pepprs]

definitely not an original thought but so many submissions on the aita tumblr aregenuinely so depressing. like “aita for not coming out to my parents when they have repeatedly demonstrated that doing so would be unsafe” “aita for standing up for myself in an abusive relationship” “aita for having a critical thought about someone who was cruel to me” good god.

[bugdogg]

im teetering on the edge of something or another, feels like a breakdown but its more so falling back on old unhealthy habits that feel comforting to do but ultimately don't help me in the long run

anyway im coping somehow by comparing myself to dogs and going "haha im young, i got a ways to go before my evil villain arc"

[trainsinanime]

I wonder: Do Americans know about american school buses? Not their existence in general, but how they're seen overseas.

Over here, they're one of the symbols of America, on par with the Statue of Liberty, the flag, the Eagle, and well ahead of any chain restaurant you can name. People won't know any US states, but they will know these vehicles.

The thing is, here in Germany, we don't have dedicated school buses. The general idea is that kids go to school on their own. When that's not practical, they're expected to use (and given free tickets for) public transit. Public transit is designed around this requirement; there are many places where there is a bus, and anyone can get on it, but the route and timetable really only makes sense for school children. In case a dedicated school bus is really needed, that's generally subcontracted out, and the lines either use something like a Sprinter Van for smaller routes, or a normal city or interurban bus (often a used one that's a bit older). School trips are normal public transit, or a rented bus, typically a coach or regional bus.

It's not a perfect system, in the past couple of years there's been an epidemic of people bringing their kids to school in their cars instead of letting them walk, which is less than ideal. It is what it is. But building a dedicated network of public transit lines only for students, and building dedicated vehicles only for that, has never occurred to anyone here.

Of course we know about these buses, from movies and such, but they're as foreign here as cacti or pick-up trucks (actually we're seeing more and more of these here) or yellow cabs (all europeans will assume all cabs in the US are yellow until they actually visit).

You do see these buses here at times, because people still generally like the idea of the US, even if they have a lot of issues with a lot of details, and so folks bring them over, along with stretch limos and stuff (also not really a thing here). And of course, if someone goes to all that trouble, they don't do it to haul school kids, they rent it out for city tours or as a party bus or whatever.

So you see these yellow things as a symbol of faraway places, scenic vistas, some vague undefined idea of freedom that doesn't necessarily hold up to any contact with reality, and it's just a huge part of the whole US aesthetic.

And then you go to a student exchange with the US, and you finally get the chance: You yourself get to ride in one of these iconic chrome yellow buses! It looks just like in the movies! You get in, you drive in them a little…

…and you realise they're shit. Just the worst buses in the western world. Terrible suspension. Uncomfortable seats with weirdly high backs (so they don't have to put seatbelts in, they just restrict how far kids can fly in an accident). Everything made out of the cheapest materials. Turns out the reason why the US uses school buses like that instead of normal modern city buses, which the US has, is to save money and because they just hate kids.

And then it hits you why US Americans say "as American as apple pie", a dish that is made and enjoyed literally anywhere in the world, instead of "as American as yellow school buses". Of course the Americans already knew all this. They got tortured by these things forever. It would never occur to them to see this as a symbol of America, it's just a normal part of life for them. It's a symbol of school and school life and sometimes normalcy, and tells us that these actors getting out of it are supposed to be teenagers, nothing more.

But most people in Europe have, of course, never ridden on these buses. So when they see them in movies and TV, that's a giant big yellow signifier that we're not in Hessen or Wallonia or wherever anymore. A symbol of a different world, one that may be at most a once-in-a-lifetime-experience for most people, just like a picture of a tropical beach, Mayan Pyramids, the Great Wall of China, or Hildesheim (there's no reason to go there twice). And I think Americans don't know that, and that's fascinating.

[tearlessrain]

please help me- i used to be pretty smart but i’m having so much trouble grasping the concept of diegetic vs non-diegetic bdsm!

gfkjldghfd okay first of all I'm sorry for the confusion, if you're not finding anything on the phrase it's because I made it up and absolutely nobody but me ever uses it, but I haven't found a better way to express what I'm trying to say so I keep using it. but now you've given me an excuse to ramble on about some shit that is only relevant to me and my deeply inefficient way of talking and by god I'm going to take it.

SO. the way diegetic and non-diegetic are normally used is to talk about music and sound design in movies/tv shows. in case you aren't familiar with that concept, here's a rundown:

diegetic sound is sound that happens within the world of the movie/show and can be acknowledged by the characters, like a song playing on the stereo during a driving scene, or sung on stage in Phantom of the Opera. it's also most other sounds that happen in a movie, like the sounds of traffic in a city scene, or a thunderclap, or a marching band passing by. or one of the three stock horse sounds they use in every movie with a horse in it even though horses don't really vocalize much in real life, but that's beside the point, the horse is supposed to be actually making that noise within the movie's world and the characters can hear it whinnying.

non-diegetic sound is any sound that doesn't exist in the world of the movie/show and can't be perceived by the characters. this includes things like laugh tracks and most soundtrack music. when Duel of Fates plays in Star Wars during the lightsaber fight for dramatic effect, that's non-diegetic. it exists to the audience, but the characters don't know their fight is being backed by sick ass music and, sadly, can't hear it.

the lines can get blurry between the two, you've probably seen the film trope where the clearly non-diegetic music in the title sequence fades out to the same music, now diegetic and playing from the character's car stereo. and then there are things like Phantom of the Opera as mentioned above, where the soundtrack is also part of the plot, but Phantom of the Opera does also have segments of non-diegetic music: the Phantom probably does not have an entire orchestra and some guy with an electric guitar hiding down in his sewer just waiting for someone to break into song, but both of those show up in the songs they sing down there.

now, on to how I apply this to bdsm in fiction.

if I'm referring to diegetic bdsm what I mean is that the bdsm is acknowledged for what it is in-world. the characters themselves are roleplaying whatever scenarios their scenes involve and are operating with knowledge of real life rules/safety practices. if there's cnc depicted, it will be apparent at some point, usually right away, that both characters actually are fully consenting and it's all just a planned scene, and you'll often see on-screen negotiation and aftercare, and elements of the story may involve the kink community wherever the characters are. Love and Leashes is a great example of this, 50 Shades and Bonding are terrible examples of this, but they all feature characters that know they're doing bdsm and are intentional about it.

if I'm talking about non-diegetic bdsm, I'm referring to a story that portrays certain kinks without the direct acknowledgement that the characters are doing bdsm. this would be something like Captive Prince, or Phantom of the Opera again, or the vast majority of bodice ripper type stories where an innocent woman is kidnapped by a pirate king or something and totally doesn't want to be ravished but then it turns out he's so cool and sexy and good at ravishing that she decides she's into it and becomes his pirate consort or whatever it is that happens at the end of those books. the characters don't know they're playing out a cnc or D/s fantasy, and in-universe it's often straight up noncon or dubcon rather than cnc at all. the thing about entirely non-diegetic bdsm is that it's almost always Problematic™ in some way if you're not willing to meet the story where it's at, but as long as you're not judging it by the standards of diegetic bdsm, it's just providing the reader the same thing that a partner in a scene would: the illusion of whatever risk or taboo floats your boat, sometimes to extremes that can't be replicated in real life due to safety, practicality, physics, the law, vampires not being real, etc. it's consensual by default because it's already pretend; the characters are vehicles for the story and not actually people who can be hurt, and the reader chose to pick up the book and is aware that nothing in it is real, so it's all good.

this difference is where people tend to get hung up in the discourse, from what I've observed. which is why I started using this phrasing, because I think it's very crucial to be able to differentiate which one you're talking about if you try to have a conversation with someone about the portrayal of bdsm in media. it would also, frankly, be useful for tagging, because sometimes when you're in the mood for non-diegetic bodice ripper shit you'd call the police over in real life, it can get really annoying to read paragraphs of negotiation and check-ins that break the illusion of the scene and so on, and the opposite can be jarring too.

it's very possible to blur these together the same way Phantom of the Opera blurs its diegetic and non-diegetic music as well. this leaves you even more open to being misunderstood by people reading in bad faith, but it can also be really fun to play with. @not-poignant writes fantastic fanfic, novels, and original serials on ao3 that pull this off really well, if you're okay with some dark shit in your fiction I would highly recommend their work. some of it does get really fucking dark in places though, just like. be advised. read the tags and all that.

but yeah, spontaneous writer plug aside, that's what I mean.

[leebrontide]

Every single time I see a take that amounts to "if you write about X happening, or like fiction where X happens, you like X" I'm reminded of this one time I was at a casual friends house as a young kid. We were in her room, pretending to "be orphans" escaping from an evil orphanage and having to take care of each other and fend for ourselves. It was all very Little Orphan Annie/All Dogs Go to Heaven and based on the 80s pop media.

And this girl's mom comes in, hears what we're playing and gets all MAD and UPSET. She says that if we play act something, it's because we want it to happen. So her daughter must WANT HER TO DIE.

First off lady, we were 6 year year olds, so take it down several notches. We barely had a concept of mortality for fucks sake. She made us feel so guilty and ashamed, because she was taking our game personally.

Now I have a 5 year old. And sometimes she looks at me and says "pretend you're dead, and I have to -" Whatever it is. Some adult task she's assigned herself.

And it's just so transparently obvious that she's practicing the idea of having to do things on her own. Which is exactly what 5 year olds are supposed to do. I actually find it very flattering that the only way she can envision me not being available to help her is to be literally deceased. Otherwise, obviously, she wouldn't have to do scary hard things alone.

It's a natural coping mechanism. She's self-soothing about what would happen if I wasn't there by play-acting independence in a perfectly safe environment. She's also practicing skills she needs, and making up excuses for practicing them on her own, without taking on the responsibility of being able to do them by herself all the time yet.

Humans mentally rehearse bad this in their brains all the time. We can do that by ruminating- going over worries over and over again, which tends to lead to anxiety and helplessness and depression. Or we can do it with a sense of play- by recognizing that the fiction is fiction and we can dip our toe into these experiences and expose ourselves to bad things without actually being injured.

My daughter does not want me dead. And I don't want bad things to happen in real life. But fiction and pretend help me face the horrors of the world and think about them without collapsing or messing myself up mentally.

[inbabylontheywept]

she was dead silent on the drive home, but that was okay. sometimes, after band practice, she was just out of words. it was a short drive to her house. the only part where it actually felt weird was after i pulled up her parent’s driveway. 

after that, the silence stretched so far it smeared and left a weird residue. she kept looking at the car door like she wanted to leave, so i looked at the door too, then she looked at me, and i looked at her, and my first thought was that she was going to tell me that the door was stuck. i was used to that car always doing some damn thing. it was the car me and all my siblings had learned to drive in, and it was really beat to hell. there were dents all over the body, which we’d unsuccessfully tried fixing up with spackle. it had looked nice for maybe a week, but then the sun wrecked it - the spackle cracked up like the mud on the bottom of a dry riverbed and turned a sort of off yellow-white that made the car looked like it had been molded out of chicken shit. it also had a bullet hole it through the cabin that whistled like a toothless old man whenever the car went above 40, so loud it could drown out the radio, and a cabin that smelled so strongly of bugspray that even the arizona summer we drove everywhere we could with the windows down.

(if you have kids one day, you will maybe, possibly, begin to understand how much i loved that car.)

anyway, i was thinking about what else could possibly be wrong with the chickenshitmobile, and she just kept looking at me, and then i wondered if there was something on my face, and she just kept looking at me, and then the penny dropped and i realized she was trying to work up the nerve to break up with me. 

now, i’d seen her work up the nerve to do things like this before – it could take quite a while. and knowing it was about to happen made the waiting immediately unbearable. 

so i said hey. 

and she looked at me, very startled, and said hey back real small. like she’d been caught. and in a way, i suppose she had. 

and i said it’s okay. you can just say it. i’ll be okay.

i’m always okay. 

and she said: i’m really sorry. 

i loved her, you know? it was highschool, but teenagers are capable of love. the way people love changes over time just as much as the way they stand, or the way they talk, but things don’t stop existing just because they're different. opposite really – a thing only stops changing when it's fully gone.

and i said, nothing to be sorry for, and i meant it. she looked a little relived, and i was happy to give her that peace. then she left. i watched her make it through the front door, because that was just habit at that point, and then i sat there a while afterwards, checking how i felt. and the answer was not good, but good enough to make it home. good enough to limp on. 

so i put my car in reverse, took my last look goodbye, and immediately backed into her neighbor’s car. 

crunch. 

air bags didn't go off, which was good. i left a decent dent in the bumper of the other car. genuinely couldn’t tell if i did anything to my car – anything wrong with it just kind of blended together into the general ecosystem of hand mottled, sun cracked, chickenshit spackle. 

i checked my glove box, and my car insurance info was, of course, out of date. my phone was dead too. as a teenager, my phone was less my lifeline to my friends, and more my tether to my parents, so i wasn’t particularly conscious of keeping it charged. both my fault.

i sat there a few minutes, trying to think of the best way to handle things, and there was only one answer i could think of, and i hated that answer, so i spent a few more minutes trying and failing to think of a better one, and then a few more coming to peace with what had to be done. 

then i went back to knock on my now ex’s front door. 

her dad opened, which i was very relieved over, even if he seemed less than thrilled. he looked me over, and in a firm, but slightly apologetic way said: she does not want to see you right now. 

(i think he assumed i was going to try and talk her out of the break up?)

and i said not here for her. i just backed into your neighbor’s car, and i need to call my dad, but my phone’s dead. could i borrow yours?

and he looked at me, then back at his neighbors car, which sure enough was dented, then he looked at the chickenshitmobile, and if there was something wrong with it, it just kind of blended into the general Wrongness of the car, then back to me, and i could see him imagining the last ten minutes from my pov: getting broken up with, backing into a car, having to walk up to your exes door and borrow a phone, calling my dad to tell him that i just reversed into someone.  

and his expression shifted from stern and apologetic to truly sad, which felt more kind that i deserved. things only got here because i kept fucking up - forgot to look behind me, forgot to replace the insurance forms, forgot to charge my phone. it was my mess, but his sympathy meant the world to me. i probably would’ve cried if he said sorry, or patted me on the back or called me sport, but instead he said

stay out here – i’ll bring you a phone.

and then he left.  

i found a nice spot on the lawn in the shade under a sycamore, then settled into his grass.i was trying not to freak out, and was doing an okay job. he came out a minute or so later, not just with a phone, but a juicebox and a jar of green olives, which really threw a wrench in the whole try not to cry thing. soon as i saw those, a few tears squoze out. i was still hoping i could pass them off as Manly Tears but then he told me that he’d gotten the olives a few weeks before and had been meaning to hand them off to me, and that this was his last chance for that. then i made a sound like a horse drowning in a bog, and he patted my back pretty rough, four solid thumps, like he wasn't sure if i was crying or choking on an olive, and was trying to cover both bases at once.

then he went back inside, and i made a few more bog horse noises while finishing off the rest of the entire jar of green olives, and then i called my dad.

he was about ten minutes away that day, and luckily was home. he drove over, and we went to the neighbor’s house, and from there things actually went quite nice. the neighbor was a retired man who actually said he could fix the dent himself, no need for insurance. he said he appreciated that i didn't just drive off, and i said i was really sorry about his car, and he said he was really sorry about my car, and then he gestured to the chickenshitmobile and i laughed because it really was a disaster on wheels.

then we left.

i thought we were going to head straight home, but instead we went to a gas station, and we both got several slim jims that we folded into thick enough coils that we could put them on a hotdog bun because the growing up mormon equivalent of having a sad brewski with your dad is just choosing to make bad decisions sober. then he took me to the canals and we watched the sun turn all orange and pink, and he looked over at me and said:

brains are good at remembering bad days. so you gotta make sure that a bad day has a good part in in, so you can remember that too. remember that when you have a kid. try to do a good job on days like that - they're going to be a big part of how they remember you.

and then he gave me a big hug and said he was never going to eat another slim jim again.

---

the year after that i went to college, which kicked my butt in new and exciting ways. and on a lot of those bad days, after a test that went sour, or a faux paus that was particularly embarrassing, or some other hardship of my new adult life, i’d stop by the gas station and pick up leathery, half jerkied hotdog before heading to the canals to watch the sun set. i’d take a bite and imagine my dad next to me, grimacing through the slim-jim wad, asking what good thing i was going use that time to remember. 

and in my head, i’d say you, dad. 

i’m going to remember you.